Dailies.01: Tirade for Three
SCREENED: Spring 2002
Three local production companies (Dulcinea, Eyekiss, POP Films), working with three casts of three actors each, had three days to put together their interpretation of a short adaptation of Murray Mednick's play Tirade for Three.
Dailies.02: Unification
SCREENED: Summer 2002
Working from "documentary" segments on a specific theme and subject, each group took one aspect of the central idea for a five-minute film. Plus, each group got the same five actors playing the same open-ended but predetermined characters and had to start its segment with the last line of dialogue from the preceding segment.
Dailies.03: Lost and Found
SCREENED: Fall 2002
A wide range of "found" texts was chosen by 9 actors, who then worked with one of 9 filmmakers. The filmmakers use the text as the basis for a short film comprised of found footage.
Dailies.04: Backstory/Back Image • Flyer
SCREENED: Spring 2003
Filmmakers each made a short film inspired by a 1968
black-and-white photograph:
 |
| Robert Adams, Colorado Springs |
Dailies.05: Unified Field Theory
SCREENED: Fall 2003
After each team wrote a story that takes place in Piedmont Park, they had
to then integrate one major element from another team's story so that it
changed the outcome of theirs.
Dailies.06: A Sense of Humors
SCREENED: Spring 2004
Launching from the Greek concept of the four humours — blood, yellow bile, phlegm and black bile, A Sense of Humours presents a quartet of complementary films, centered upon characters helplessly governed by their bodily fluids.
Dailies.07: Losing Control
SCREENED: Winter 2005
Writers were given specific characters to write a script for. Directors were given those scripts to shoot and the actors to fill the parts. And editors were given that footage to edit into a complete film. Filmmakers were allowed to perform all three functions, but it had to be on three different films. Thus no one person was allowed complete control over a film.
Dailies.08: Fight Scene • teaser
SCREENED: Fall 2005
Designed for filmmakers to experience the methods and challenges in writing, shooting, and editing an action short, the hope for Fight Scene was that choreography won't end up as a last minute concern.
Dailies.09: Return to Pepperland
SCREENED: Fall 2005
A collection of short films inspired by the Beatles classic Sgt. Pepper's
Lonely Hearts Club Band.
Dailies.10: Ween
SCREENED: Summer 2006
An informal, experimental film project based on ideas you have when listening to music by the group, Ween.
Dailies.11: Dogme.AughtSix
SCREENED: Winter 2007
The Complete Dogme.Aughtsix Project Manifesto
Dogme.AughtSix is a reworking of the Dogme95 manifesto designed to eliminate gimmick and spectacle from the contemporary short film and focus on story and character in hopes of inspiring true emotion.
Dailies.12: The PSA Project
SCREENED: Spring 2007
The Complete PSA Project Manifesto
The PSA Project encourages filmmakers to identify, cold call and work with an organization to develop a broadcastable 30 or 60 second PSA with a clever tag line that encompasses the organizations mission and reaches its target audience. The filmmakers is thus challenged to convey a lot of information in a short amount of time, literally making every choice count.
Dailies: CATME.Aleph-Naught
SCREENED: Summer 2007
The Complete CATME.Aleph-Naught Manifesto
CATME.Aleph-Naught requires the filmmaker to specifically use gimmick and spectacle to reinforce the goal of a film; here-to-fore referred to as spectimmick, 3 and to incorporate specific established filmmaking techniques to make a film.
Dailies: Fairy Tales • teaser
SCREENED: Winter 2008
The Complete Fairy Tales Manifesto
Dailies: Fairy Tales requires the filmmaker to create a world separate from our own that relies on magic and fantasy elements for its existence.
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